Canada isn’t just the home of major blockbuster publishers and developers, it’s also home to some of the fastest-growing social-gaming studios.
As part of that trend, Toronto-based Big Viking Games reported today that it has attracted $21.75 in funding from Canadian financial institutions. The Royal Bank of Canada led the round with $18 million in financing alongside Export Development Canada and $3.75 million from BDC Capital’s Growth and Transition division. Big Viking plans to use that cash to expand its efforts building HTML5 games for the web that load instantaneously for players around the world.
Big Viking already has 100 employees, and that makes it by fr the biggest independent Canadian studio. That team has already produced games like YoWorld and Fish World, which millions of players have tried over the last several years. And now the company wants to reinvest in its HTML5 strategy.
“Starting in 2012, we made the decision to make significant investments in HTML5 instant games,” Big Viking cofounder Albert Lai said in a statement. “We saw the potential of the technology and how it will define the future of mobile gaming and entertainment. Others have moved away from HTML5 due to the technical investment required, but we believe that open standards and more powerful devices will pave the way for a massive shift on mobile phones and tablets.”
HTML5 gaming grabbed headlines several years ago with the promise that it would enable developers to publish high-quality mobile games to the web without having to go through the Apple App Store or Google Play.
“While our focus on HTML5 has paid off with our Triple-A instant games that can be distributed on many powerful mobile platforms, such as messenger applications, we weren’t sure we could find the right investors that understood our vision in the early days,” said Lai. “Now that we have multiple million-dollar budget titles in the works to distribute on new and upcoming platforms, investors can see how our business strategy is on track to change the future.”
La police a frappé en après-midi dans une résidence du quartier, près de l’endroit où a été commis l’homicide. Le groupe tactique d’intervention a participé à l’intervention.
Le 7 octobre, le septuagénaire a été retrouvé par une connaissance seule et «mal en point» dans son logement situé à l’angle de la 2e Rue et de la 8e Avenue. Les services de secours ont tenté des manoeuvres de réanimation, en vain.
Selon des voisins interrogés par Le Soleil à l’époque, M. Breton était reconnu comme très aimable et serviable. Le voisinage avait l’habitude de venir lui porter des canettes vides, qu’il amassait depuis des années.
Il avait été aperçu, la veille de l’événement, en pleine forme, derrière sa résidence. Selon ces mêmes témoins, l’homme qui vivait seul avait pris l’habitude d’héberger «des jeunes dans la vingtaine de milieux très défavorisés».
Le suspect de 18 ans devrait comparaître mercredi après-midi au palais de justice de Québec pour répondre à une accusation de meurtre.
Une conférence de presse se tiendra à 10 h 30 à l’hôtel de ville de Rimouski.
[…] un moment unique pour moi et qui restera gravé dans ma mémoire. Je me sens honoré et c’est avec humilité et beaucoup d’enthousiasme que j’ai accueilli cette grande nouvelle.
Éric Forest est l’un des six nouveaux sénateurs qui représenteront le Québec à la Chambre haute du Parlement canadien. Parmi eux figure également la protectrice du citoyen, Raymonde Saint-Germain. Ces sénateurs siégeront comme indépendants.
C’est le nouveau processus de nomination indépendante qui a convaincu le maire de Rimouski de poser sa candidature comme sénateur.
Cette nouvelle dynamique me motivait fortement à mettre mon expérience et mes compétences au service de la Chambre haute pour y apporter ma contribution, afin de bâtir un Canada plus fort, plus solidaire et plus équitable.
Le maire de Rimouski succédera au sénateur Roméo Dallaire, représentant de la division sénatoriale golfe. Cette nomination l’obligera à quitter ses fonctions plus tôt que prévu.
Éric Forest est maire de Rimouski depuis 2005. Outre ses fonctions de maire, M. Forest a occupé le poste de président de l’Union des municipalités québécoises de 2011 à 2014 et il siégeait au conseil d’administration depuis 2006.
M. Forest a songé à faire le saut en politique provinciale en 2014. Proche du Parti libéral du Québec, il était même pressenti pour occuper le poste de ministre des Affaires municipales. Il avait toutefois décidé de terminer son mandat à la mairie.
En 1995, M. Forest est devenu le premier directeur général de l’Océanic de Rimouski, dans la Ligue de hockey junior majeur du Québec. Un poste qu’il a occupé jusqu’en 2005. En parallèle, il agissait à titre de conseiller municipal du district de Nazareth.
M. Forest est aussi actif au sein de divers organismes, tels que Rimouski Ville étudiante, Centraide, Héma-Québec, La Maison des familles, Moisson Rimouski-Neigette et plusieurs autres.
Originaire de Bonaventure en Gaspésie, Éric Forest est détenteur d’un baccalauréat en récréologie. Il a d’abord travaillé pour le Conseil des loisirs de l’Est du Québec avant de devenir directeur général de l’Office du tourisme et des congrès de Rimouski. La politique municipale l’a toutefois intéressé tôt dans sa carrière. Il a été conseiller municipal puis maire de la Ville de Pointe-au-Père au début des années 80.
Sélection des candidats
Les sénateurs nommés ce mois-ci ont été sélectionnés à la suite d’un appel de candidatures. 2700 personnes de partout au pays se sont présentées au comité chargé de faire des recommandations pour les 21 sièges actuellement vacants.
Les personnes dont la nomination au Sénat est recommandée ont été choisies en suivant le nouveau processus du gouvernement, fondé sur le mérite. C’est ainsi que les six sièges vacants en Ontario et au Québec, de même que neuf autres ailleurs au Canada ont été pourvus.
Le Sénat compte maintenant 44 sénateurs indépendants, devançant les conservateurs, qui en ont 40. Un groupe de libéraux dits indépendants – des sénateurs qui revendiquent leur affiliation libérale, mais qui ne siègent plus au caucus du parti – en compte 21.
Un peu plus tard, la police a annoncé avoir identifié un suspect pour le meurtre de ses deux agents. Elle recherche un homme blanc de 46 ans, Scott Michael Greene, qui réside à Urbandale, en banlieue de Des Moines, la capitale de l’État.
«Nous pensons que Greene est armé et il doit être considéré comme dangereux», a précisé la police dans un communiqué, appelant à ce que lui soit communiquée toute information utile.
Le premier policier a été retrouvé mort peu après une heure du matin à Urbandale.
Le second agent, qui répondait à un appel pour des coups de feu, a été découvert 20 à 30 minutes plus tard à Des Moines. Il est mort après avoir été transporté à l’hôpital, selon les médias américains.
Suite à ces meurtres, les policiers vont dorénavant patrouiller par deux, a précisé M. Parizek.
Aucun policier n’avait été tué dans l’exercice de ses fonctions à Des Moines depuis 1977. La ville compte un peu plus de 3 millions d’habitants.
Plusieurs policiers ont déjà été pris pour cible ces derniers mois aux États-Unis. En juillet cinq policiers ont ainsi été assassinés à Dallas, au Texas, et trois autres ont été tués à Baton Rouge.
Posted: November 2, 2016 09:41:03 AM
Last updated: November 2, 2016 09:44:45 AM
Category: Hamilton
Tags: Colourblind Productions, hamilton, Hamilton Economic Development, HamOnt, In Fine Feather Yoga
A new investment video put out by Hamilton Economic Development invites you to ‘come closer’ and ‘take a look’ at what Hamilton has to offer.
Marketing Coordinator, Michael Marini, says the focus of the video is the people behind local businesses in the city.
Helena McKinney, owner of In Fine Feather Yoga on Ottawa St. N., is one of the business owners featured in the video and she said she was honoured to be a part of it.
“I truly believe in the ambition this city has. I see so many small business owners giving their all everyday to create change. We are all working towards Hamilton being the most beautiful city to live in,” said McKinney.
In a post on Facebook, Colourblind Productions, the Hamilton company that created the video, said it was “a love letter from us to the ambitious community we’re proud to call our home.”
Marini says they wanted the video to show investors the quality of place Hamilton is.
“Hamilton is not a bedroom community,” said Marini. “Once the investment is made here, you have so many things to see, do and experience.”
Early last month, the co-founder and CEO of Twitter set a deadline of Oct. 27 for bidders interested in buying the company — a « hugely ambitious » move that aimed to bring clarity to the social media platform’s cloudy future ahead of the release of its Q3 earnings report.
Just a month ago, being “hugely ambitious” wasn’t such a bad idea for Twitter: Google, Salesforce and Disney were all rumored to be interested in an acquisition, with valuations reaching up to $17 billion despite the platform’s disappointing Q2 performance and overall sluggish year.
But then Oct. 27 came and went, and no buyers emerged. In their stead came layoffs, with 9% of the company’s workforce let go. Despite a surprisingly strong Q3 otherwise — and rumors of a potential Disney acquisition resurfacing — Twitter is restructuring now in order to sustain financial viability heading into next year.
Most importantly for marketers, Dorsey and his team are trying to figure out which specific value propositions the site can provide that aren’t available elsewhere — on Facebook, Snapchat and beyond.
Those value propositions need to be established sooner rather than later, Liz Stahl, senior director of social media at digital agency Deep Focus, told Marketing Dive. “If by the end of first quarter next year, Twitter hasn’t communicated and begun executing a very thoughtful plan, it will definitely be in a place where it will be hard to recover,” she said. “It really needs to pick up the pace.”
Several analysts told Marketing Dive the company has two distinct paths it can pursue: Customer service and live streaming video. Opinions differ on whether those two can mix — and which should take precedence in Twitter’s ongoing reinvention.
“Twitter needs to make a decision,” said Jessica Liu, senior analyst for B2C marketing at Forrester Research. “They can go the path of being more of a social customer care option […] or they could go down the other fork in the road and really embrace this idea of news.”
“I feel like those two are not necessarily congruent,” she added. “They almost seem in conflict with one another, and I feel right now that [Twitter] is toeing the line on both and not doing either of them extremely well.”
Just as Dorsey and his company need to figure out what exactly makes Twitter Twitter, marketers need to figure out where the platform can provide the most value for them — and just how much priority it is in their marketing.
When considering those decisions, it might be helpful to start from the beginning.
In (far) less than 140 characters, someone who would become a preeminent figure in Silicon Valley announced the arrival of one of the 21st century’s most iconic products. There was little formality here: Dorsey launched his new service not with fanfare, but a laid-back, reassuring address to those paying attention.
Agencies and analysts alike say that the same live, conversational elements embodied in Dorsey’s first tweet are what remain essential to the site’s identity and appeal today, with Stahl calling discourse on the platform “exceptionally genuine” compared to the competition.
That’s what makes Twitter great for facilitating customer service, with brands able to directly respond to consumers who tweet complaints or queries.
“Twitter is the key home for customer service,” Stahl said. “For everything from an airline to a potato chip brand […] consumers know to come to this platform to get either one-to-one support or conversational support from a brand, and that’s incredibly powerful.”
However, Twitter is not the only social platform staking out a role in customer care: Facebook has upped its own offerings with the integration of thousands of branded chatbots on its Messenger app, which use artificial intelligence to respond to user questions and facilitate purchases on the fly. But while the appeal of automating customer service might turn marketers’ heads, recent research from Forrester suggests chatbots can be more frustrating than functional.
« Bots are not the why, » Twitter Product Manager Ian Cairns told Adweek about the services. « They’re the how. There’s no consumer we’ve spoken with that’s said they really want to talk to a bot. »
Despite the new chatbot services, Twitter’s human touch is what gives it an edge over the competition.
“If someone is having an issue with their airline or has a question about their internet service, a lot of them are going to Twitter first before interacting with a bot,” Mike Johnson, vice president of digital strategy at full-service ad agency The Marketing Arm, told Marketing Dive. “There is still a need and a desire to know you’re interacting with a human. I think the human element is a competitive advantage for [Twitter].”
Though Twitter has introduced several new customer service options to improve upon that human element this year, including a “business hours” tag for companies and more direct connections to brand websites, the platform’s central focus has shifted into an entirely distinct area — one it hopes will become definitive of its brand.
The ‘people’s news network’
In April, Twitter switched its categorization in the iTunes store from a “Social networking app” to a “News” app. The change might have seemed minor at the time, but it’s become indicative of a much larger reinvention in the works — one Dorsey clarified in an internal memo from October when he referred to Twitter as “the people’s news network.”
The idea of Twitter pivoting from social platform into a media service is perhaps not surprising given how prominent a role news played in its formation.
“Twitter has been an amazing cultural phenomenon,” Jay Wilson, director of social marketing at Gartner, told Marketing Dive. “We can debate the number of monthly active users [on Twitter], but I think all you have to do is look at the role it’s played in significant world events, or even the recent presidential debates, to find it as the go-to place to find the cultural pulse.”
Twitter’s desire to transform into a leading media service has manifested itself most prominently in its myriad efforts to provide live video online — from a marquee 10 game deal with the NFL to partnerships with Bloomberg and BuzzFeed to stream the presidential debates. But while this is a change-up many marketers and agencies are excited about, it’s also one they remain tentative to fully participate in.
“As they build that platform and experience out, it becomes really powerful for us and for our clients,” said Johnson. But Johnson also said The Marketing Arm is still largely figuring out what they should do with Twitter’s live video efforts, and other agencies interviewed agreed that a “wait and see” approach seems common.
“In terms of what I’ve been hearing clients say overall, it’s not a whole lot,” Erna Alfred Liousas, a B2C marketing analyst at Forrester, told Marketing Dive. “I think everybody’s actually sitting back and watching […] it looks cool, but they’re going to wait and see what happens before they provide investments in new formats.”
Twitter is not alone in live video: Facebook recently launched an API for its Facebook Live streaming service, along with the ability to cast Facebook video directly to TV. Given that its user base is 1.7 billion — leaving Twitter’s reach in its shadow — Facebook’s own play for video could be more appealing to brands.
“As Facebook builds out its social media empire, we probably will see more marketers migrate there because they just think it’s easier,” said Forrester’s Liu. “It’s easier to spend money in one place that will achieve multiple objectives.”
Given Snapchat’s rapid ascent in the social media universe in 2016 — look no further than a coming IPO potentially worth north of $25 billion —Twitter needs to consider not just how it can win in live video, but also how to integrate live video with brands’ advertising objectives.
“Twitter has to do a better job of playing up live formats as a means to either create a new type of ad or have some type of new marketing objective manifest,” said Liousas. “Instead of giving us a basic commercial, highlighting what people are actually doing or what brands are doing would be instrumental in establishing credibility and effectiveness.
“Why is this different from Facebook Live? Why is this different from Snapchat? We have so many different options as marketers, so this is the problem that gets of the crux of Twitter’s overall issue: What is it?” she added. “Live gives it an opportunity to be very clear about that, but they still have work to do in terms of defining not only what it does for people, but also for the brands that they want to partake.”
While that process is ongoing, the platform is in talks with agencies about how to better develop advertising strategies for its video offerings.
“We are constantly in dialog with agencies on how to creatively execute campaigns on Twitter and leverage live moments,” a Twitter spokesperson told Marketing Dive, pointing to the recent launch of Twitter Insiders, an insights platform for agency partners.
Since it is unlikely that Twitter will be able to catch up with Snapchat and Facebook, its specificity might provide an advantage.
Gartner’s Wilson sees untapped potential with B2B marketing in particular. “B2B marketers continue to see the value in Twitter and to leverage it to identify thought leaders within their industry,” he said, noting that buzz at conventions and other events is fueled by hashtags and Twitter discourse. “From a B2B marketers’ context, Facebook is much less relevant. That’s a particular angle [Twitter] might want to look at more deeply.”
A quagmire for Twitter and marketers
While the tricky financial turnaround needed to right Twitter’s ship lies largely in Dorsey’s court, marketers and agencies may also need to adjust their expectations of what the platform can be.
A decade ago Twitter might have been Facebook’s lead competitor, but the reality is that the platform’s audience has stagnated and calcified into a hyper-specific set of users, and its platform has turned into a place where targeting trumps reach.
“People are on Facebook because everybody’s on Facebook, but there’s more of a love of Twitter for actual Twitter users,” said Johnson. “Everything breaks here. That’s something that none of the other platforms have, and if Twitter can tap into that and make it more accessible [to marketers], it’s a huge advantage.”
Many analysts and agencies think targeting those hardcore Twitter fans and subcultures for data — with Twitter, in turn, providing more tools for marketers to funnel and triage the information — will help monetize the platform and ensure lasting appeal.
“Any marketer of real maturity now has social analytics and listening tools in place that are not only going to get them the data that is spoon-fed by other social networks, but is also going to mine that data,” said Gartner’s Wilson. “You can get more highly relevant insights from Twitter, but you’ve got to work for it.”
While the site ultimately remains an important part of the media mix for many brands, understanding its limits is key.
“Yes, Twitter’s trying to redefine itself, but what does that redefinition provide us? Separate the Street’s expectations from your brand’s expectations — they are not one and the same,” said Forrester’s Louisas. “We need to be really mindful of the value Twitter provides for the audience it orients itself toward, and that is something that gets lost in the weeds when we get too excited about what’s next.”
Portadais today publishing the 2017 Online Video Marketing Guide. The Guide provides intelligence, forecasts and dissects key trends by key brand marketing, agency and media executives who are shaping the video marketing space.
“Video has become a crucial marketing and advertising tool and Portada’s 2017 video marketing guide is one more example of how Portada and its partners are providing editorial thought leadership to drive the Marketing, Tech and Media sector forward,” says Marcos Baer, publisher of Portada.
BRAND AND AGENCY EXECS CONTRIBUTING IN PORTADAS 2017 ONLINE VIDEO MARKETING GUIDE
Claudia Moreno-Escobar, Senior Manager for Multicultural Strategy, Kellogg
Video marketing will be a key content track at the 9th Annual Edition of PortadaLat in Miami on June 7-8, 2017. #PortadaLat is the prime event for marketers, media and tech executives targeting Latin consumers throughout the Americas.
PREMIUM SPONSORS OF THE 2017 ONLINE VIDEO MARKETING GUIDE
KITCHENER, Ontario–(BUSINESS WIRE)–Vidyard, the video platform for business, has been named a leader in Online
Video Platforms for Sales and Marketing by independent research firm
Forrester Research, Inc. The recognition comes as part of The Forrester
Wave™: Online Video Platforms For Sales And Marketing, Q4 2016, which
analyzed the most significant providers in the space.
Vidyard achieved the highest score for current offerings among all
participants in the report, landing highest possible score for 23 of the
39 criteria, including administration, syndication and distribution
features, sales enablement workflows, enterprise application
integrations, reporting and analytics, global support and security.
Vidyard was the only vendor to receive the highest possible scores in
the player features; marketing and lead generation tools; and targeting,
personalization and discovery criteria.
“Vidyard has a clear vision of video’s future that resonates with its
customers and Forrester alike,” wrote analyst Nick Barber in The
Forrester Wave™: Online Video Platforms For Sales And Marketing, Q4
2016. “It understands how important user-generated content (UGC) will be
for brands and businesses, and it plans to roll out further support for
UGC and analysis of it. Its roadmap follows up in-video personalization
with support for real-time rendering of dynamically personalized video
content, which will increase viewer engagement.”
The Forrester Wave methodology included a rigorous process of vendor
surveys, scenario-based product demos, executive strategy briefings and
customer reference calls to validate each vendor’s products and
qualifications. Forrester analyzed nine vendors’ video platforms across
39 criteria.
“I believe that this research shows that video has become a core
component of modern marketing and sales with businesses looking for more
advanced distribution, personalization, interactivity and analytics to
help them turn viewers into customers,” said Michael Litt, Vidyard CEO
and co-founder. “In my view, Forrester’s work proves there’s been a
massive shift in the video technology market beyond publishing and
advertising. Now the conversation is about how to use video to better
connect, engage and convert customers and support the entire buying
journey even after the deal closes.”
In addition to analyzing vendor offerings, Forrester noted the rise of
online video and its growing importance for business. “The
sales-and-marketing-focused OVP market is growing because more firms see
video as a way to address their top challenges of using engaging content
to connect with customers and prospects,” according to the report. U.S.
adults spend nearly two hours a day consuming video, more than any other
online activity, and online video has become a must-have for businesses.
Video conveys emotion much better than the written word, and the human
brain processes it 60,000 times faster than text, according to the
report.
Businesses that want to capitalize on video need to harness their own
video channels and can’t simply rely on YouTube for distribution,
largely because it lacks the rich analytics and integrations that come
with platforms such as Vidyard. Integrations with CRM and marketing
automation platforms enable marketing and sales teams to easily create
and share videos with customers, track their true engagement in the
content and measure its impact on revenue.
“Vidyard is an excellent fit for companies that want more than just a
video repository but want to deploy and measure videos with specific
integrations into CRM systems and MAPs,” Barber wrote.
Vidyard
(Twitter: @Vidyard) is the video intelligence platform that helps
businesses drive more revenue through the use of online video. Going
beyond video hosting and management, Vidyard helps businesses drive
greater engagement in their video content, track the viewing activities
of each individual viewer, and turn those views into action. Global
leaders such as Honeywell, McKesson, Lenovo, LinkedIn, Cision, TD
Ameritrade, Citibank, MongoDB and Sharp rely on Vidyard to power their
video content strategies and turn viewer into customers.
The report forecasts the global online video platform market to grow at
a CAGR of 14.88% during the period 2016-2020.
The report has been prepared based on an in-depth market analysis with
inputs from industry experts. The report covers the market landscape and
its growth prospects over the coming years. The report also includes a
discussion of the key vendors operating in this market.
According to the report, one of the primary drivers in the market is
growing requirement from online advertising industry. Digital media and
marketing professionals have been increasing their expenditure on online
video advertisements to attract consumers. Since 2010, companies have
increased their spending on online videos by nearly 60%. As consumers
are more likely to watch online video advertisements than TV
commercials, advertising firms are focusing more on online video
advertisements.
The increased reach of mobile devices such as smartphones, laptops, and
tablets have made online advertisements more effective than TV
commercials. Companies adopt online video platforms for analyzing,
uploading, distributing, managing video content, and publishing online
video advertisements.