Archives de catégorie : Video Marketing

Forrester Rates Brightcove, Kaltura, Vidyard the Online Video Leaders


Forrester thinks video is a sales and marketing essential. PHOTO: Andrew E. Weber

Marketers should consider alternatives to YouTube and seek video technology that offers self-service, analytics and integration with customer relationship management (CRM) and marketing automation systems, according to Forrester Research.

In a new report on online video platforms for sales and marketing, Forrester Analyst Nick Barber noted that YouTube has limitations. While it is among the most popular video channels and serves as a great repository, it’s clogged with 576,000 hours of video daily. It also lacks security, analytics and integrations that an enterprise-class online video platform can provide.

Marketers need platforms that are easy to use; include robust, actionable analytics; and allow for video content changes for different segments and platforms.

Brightcove, Kaltura, Vidyard Lead Pack

Barber and colleagues Stephen Powers and Jaclyn Galan analyzed online video platforms (OVPs) from Adobe, Brightcove, IBM, Invodo, Kaltura, Ooyala, Qumu, uStudio and Vidyard. All nine have a product in general use providing more than two million streams per month, at least $10 million in annual revenue and integrations with CRM and marketing automation platforms

Three — Brightcove, Kaltura and Vidyard — were rated leaders. Adobe and uStudio were rated strong performers. IBM, Ooyala and Qumu were rated contenders, and Invodo was rated a challenger. 

Forrester analysts evaluated capabilities such as device support, workflow, administration, player design and features, syndication and distribution, the ability to build a custom video portal, targeting, personalization, discovery, live-streaming, user-generated content, marketing and lead-generation tools, sales enablement work flows, enterprise application integrations, reporting and analytics, global support, security, proven scale and licensing models.

The Leaders

  1. Boston-based Brightcove has a flexible player design that supports heavy customization, which it does for its portals for live and on-demand videos with « the most intuitive tools of any vendor we evaluated. » Integrations with CRM and marketing automation systems are a plus. Users are able to create customized videos for social, another advantage. It could improve its HTML5 deployments because some users reported being stuck using its old Flash-based player. Polling is not native to the platform, something Forrester analysts said would serve them well.
  2. Kitchener, Ontario-based Vidyard offers a platform that helps sales and marketing teams with an « impressive suite of capabilities. » Vidyard users can create in-video personalization (dropping a person’s name into the video). Vidyard could use better direction in analytics. Some customers told Forrester it can be confusing to measure results when videos change inside of the players. It also lacks large deployments and venture funding.  
  3. New York City-based Kaltura has a platform with strong integrations. It has on-demand and live tools that are easy to use. Its enterprise application integrations are strong, but it needs to improve its CRM and marketing automation integrations to better target videos to specific users, according to Forrester. It helps marketers make videos, landing pages and collect lead information. 

Forrester described video as essential, noting that marketing and sales teams that don’t deploy it as a signature part of their campaigns and programs will lag. 

Online retailers see nearly triple the conversion rates on product pages that have video; people process video 60,000 times faster than text, Barber noted. Video conveys more emotion than other media, » he wrote.

How Talent Marketing Startup Indi.com Leverages The Power Of Videos And Social Media To Connect Retailers …

Entertainment is a tough industry to break into. Filled with auditions, screen tests, near-misses and more, becoming the Next Big Star takes skill, talent, and perseverance. Increasingly, there is a breed of aspiring entertainers and artists looking for a way to make their mark in an industry dominated by nepotism, favoritism, and clannish attitudes, to say the least.

And then there are brands, across industries, sectors, and verticals, which are hoping to get noticed among the plethora of brands out there through creative, content marketing in the digital age.

Marrying the two doesn’t seem like the most obvious way of conducting business, but this is exactly what talent marketing startup Indi.com has done in the US since 2013 and India since April 2016.

Making use of video and the power of social media, Indi.com aims to be a global social video platform that brings together artists, brands, retailers, non-profits, celebrities, and individuals who can connect with fans and supporters while interacting with specific brands on the platform. In other words, it allows a regular Jane or Joe or Bollywood-crazy Anahita or Jishan to become instantly famous and parlay their talent into lucrative contracts with industry bigwigs through exposure and entertainment.

Jumping From Talent Discovery To A Talent Marketing Setup

“We actually started off as a good ol’ fashioned talent discovery platform,” begins Divyansh Bajpai, co-founder Indi.com. “Neel Grover, who is our CEO and founder, was living in Texas at the time. His wife is an artist and actress and needed to go for auditions to Hollywood in Los Angeles, which was time-consuming and not feasible since they lived half a country away. Neil figured there is no reason for someone to travel to a physical location for auditions in the technological age. And thus, Indi.com’s earlier version of being a talent discovery platform was born.”

The way Divyansh puts it, it was a basic talent-acquisition and discovery platform that started operations in early 2014 in Irvine, California. The website also counts Shikha Uberoi, entrepreneur and a former WTA Top 100 tennis player as a co-founder.

The way it worked was that users could come to the platform to upload their videos and that would become their remote audition tape for productions, movies, and music shows. Conversely, production companies, movie studios, and casting directors would also run challenges on the platform that users could choose to participate in by uploading a video and if their video got selected, they’d have the chance to audition.

“But then we realised that the movie studios and production companies – if they had a show or a movie they wanted to promote – they would create a channel on the website and the users would participate in the contest,” he says.

“And because they wanted to win, they would promote the video and the website on their social media accounts. And do promotions for the movie or the show. And this got us thinking, well, here we have our users who are engaging in marketing through social media and we have big brands who are constantly looking for newer ways to reach their audience and it was a perfect fit,” he adds.

And that is how the pivot happened and Indi.com went from being a mere talent-discovery portal to one that leveraged its user base in digital talent marketing.

Buzzing For Talent – How It Works

“Our biggest USP,” begins Divyansh. “Is that as a talent marketing platform, we have figured out yet another way to engage users with brands – i.e. retailers or influencers and to monetise the content generated from this transaction. And we have leveraged the power of existing social media networks to do this.”

Divyansh also adds that it all depends on what works with the audience and which trends are showing big with the TG. Indi.com users post videos on the various challenges that come with their own guidelines regarding content, theme, video length and more run by different brands/retailers/non-profits, artists, and influencers. The prizes are as varied as auditioning for America’s Got Talent, which was run in 12 different cities – and users promote themselves and the brands hosting the challenge on their personal social media profiles to garner votes and views in order to win.

indi-com-chaneels

The winner gets decided by Indi Buzz, which has replaced the more traditional form of voting. It contains a proprietary Buzz algorithm that decides the total number of points a video has accrued and helps in deciding the top videos/best videos uploaded by the users. It includes Facebook and Twitter engagement, video views, likes and follows. The videos can become either winners or Judges Picks, garnering attention and acclaim to the uploader.

All of which is fresh content that is being promoted for a particular brand on any given day, “leveraging the power of social networks through cross-platform magnification for pure, organic reach,” adds Divyash. All at a fraction of the cost of actually advertising on those very same networks.

“We Are Only Looking To Scale Right Now”

According to Divyansh, the company has partnered with 1000+ brands in the US and run a minimum of one-two challenges per brand. And the average per video view is 300+, claims the co-founder.

Some of the more successful campaigns that have been run by Indi.com include Global Model Search for Elite Talent Management Agency, based out of New York. “As the title suggests, the search was for the next model to be represented by Elite and we had about 1800-odd videos uploaded by our users reaching a total of about 10 Mn views.” It was a centralised campaign and all the promotion was tracked in real-time by in-house algorithms in order to determine the winner.

The World Music Day challenges, which were a total of nine challenges run on the platform, had an aggregate of 4 Mn video views. “If you think about it, average user engagement on a massive platform like Facebook is just 1%-2%, isn’t it?” he asks. “And here you have a controlled space to create your own content and promote it at a fraction of the cost digitally. As far as we see it, it’s a win-win,” he says.

This is why the platform is not looking to monetise just yet.

“We are not looking to be profitable just at the moment,” shares Divyansh, expressing a sentiment that is practically unheard of when talking unit economics. The way he explains it is – Indi.com has to scale further and is not focussed on monetisation. It wants to leverage on its intrinsic value and the added services it brings to the table for its clients and assure them of real results before talking money.

It is for this precise reason that the company has not been institutionally funded since inception. Although, Divyansh mentions that five individuals have invested in Indi.com in a private capacity.

Buzzing Into India – Scaling Up, Dealing With Competition

At the same time, lack of institutional funding has not stopped the young startup from scaling up.

“We had been thinking about setting base abroad for the last one, one and a half years even before we actually got around to doing it,” shares Divyansh. The team had been thinking of South America and Mexico but zeroed in on Asia due to the overall digital penetration here. “At first we thought of China, but it wasn’t possible because opening a new business in China is very difficult as it works on a reference basis over there.”

And so, India came into the picture. “It’s a largely international market and with smartphone penetration and a digital-first economy taking shape here, we knew the market was ripe for disruption in digital marketing,” says Divyansh. The Indi.com team did their due diligence before expanding operations.

“We decided that launch partners, the right kind of marketing initiatives that would attract users to the Indi website would be our priorities,” he shares. The idea was simple – show the brands that content marketing through cross-platform magnification could work via amount of organic reach and promotion generated, and then convince them to come onboard.

“In other words, we were parlaying use cases in order to prove our value proposition to our customers,” says Divyansh.

Well, the effort seems to have paid off as, only months after setting up shop in India Divyansh claims that the platform already has about 15 homegrown brands on the platform since launching in April 2016, running various campaigns and challenges for the users.

One such campaign was the one Indi.com ran for IBM B2C Startup Challenge 2016 – where startups less than five years old had to answer questions and post a 5-minute video describing their business proposition. The Top 20 winners (based on IndiBuzz) curated by IBM execs and industry experts went on to the next round where they were encouraged by Bollywood actor Anil Kapoor and presented to the judges winning VC and investor attention as well as cloud credits worth $24,000 on IBM Softlayer and BlueMix.

“This campaign had around 80-90 videos in a 2 week period and 4 Mn views on aggregate,” Divyansh shares. If we look at the campaign page, we can see that the Buzz generated for the campaign is approximately 1 Mn+ on site.

indi-ibm-startup-challenge

Hungama, Von Miller are a few of the other brands associated with the platform. “In India, so far we have run around two challenges per brand. Sometimes, there have been as many as nine different campaigns on a single brand,” he adds.

As per Divyansh, the total number of videos uploaded in the Indian arm of Indi.com is 2,245 and the aggregate views on these videos is 10 Mn+.

“This is the intrinsic value of our platform,” he says, talking about scaling up and looking to the future. “Our algorithms break down demographics, user metrics and additional data metrics as required by each customer or brand working with us. These value-add services are what we are looking to leverage on in the future.”

And this is how they plan to deal with competition from talent discovery portals such as #fame which is part of the Nasscom Top 50 Emerging Startups and TalentNext which has recently raised Seed funding to the tune of $1Mn and even against fellow contenders in the digital marketing space such as global giants Facebook, Twitter, Instagram, Snapchat and more.

Divyansh also doesn’t rule out merchandising and sponsorships as a way to monetise and generate more users for the platform, going forward.

Editor’s Note

Digital marketing is a growing, evolving mammoth animal. There is no acceptable, standardised way to crack content marketing and monetise it for brands or services. Add in the worldwide penetration of social media on every smartphone, laptop and tablet and desktop and the market gets so more fragmented as advertising on each of these mediums is a tough ask in and of itself.

In a Statista report, India is expected to reach 340.2 Mn smartphone users by 2017 itself. It is safe to say that mobile and, in particular, smartphones will become the next frontier to be conquered by digital marketers in general. Video marketing, while not as prolific as it is in Western countries, is also catching fire in India with the advent of 4G and faster and more accessible WiFi plans across the board. Whether Indi.com and its ilk will be able to deliver on its promise and become profitable by gaining the trust of brands and users alike, remains to be seen.

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Free SEO Audit And Web Design Discounts Available From 2Marketing in Toronto

There is a web-based Web Design and SEO company called 2Marketing and it is rocking the Toronto business environment. Right now, 2Marketing is offering a free SEO audit and discounts on web design.

This team has the knowledge to help businesses surpasses the competition by offering Social Media Planning and Management, Search Engine Optimization, Internet Marketing, Video Production, and Google Map Optimization. With the highly competitive nature of Toronto businesses, an experienced team is best. This service provides 10 years of experience serving the local area.

Collaboration between thinking professionals in a lead company in SEO yields unique and innovative development which effectively markets products and services according to real and present trends. By generating workable concepts, a strong infrastructure is developed.  

Is the marketing as effective as it can be? Are there target markets being missed? Is it certain the website rankings respond to commonly used keywords? Is there truly relevant and clear content on a site? With professional analysis, such factors are determined and adjustments are made by the service so there will be a smoother business operation in total with higher yield.

By leveraging social media, Businesses thrive through personal connections between clients and customers. There is also the opportunity to place niche videos on YouTube and connect them to further platforms such as fan pages and Twitter. This takes marketing directly into the face of the public. Pay-Per-click (PPC) along with SEO, superior graphic design, and advanced marketing techniques produce results. This business is about setting ideas into motion to manifest a positive financial outcome.

2Marketing provides a full spectrum of all marketing services for high level ranking and increased traffic to help support affiliate marketing.

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Sizmek Launches Interactive Video Authoring in Ad Builder

AUSTIN, Texas, Nov. 03, 2016 — Sizmek, an open ad management company for multiscreen ad experiences, today announced the release of its HTML5 VPAID authoring tool within Ad Builder, for interactive video campaigns. This self-service solution for the codeless authoring of HTML5 VPAID ads enables creatives to build more attractive and engaging interactive video experiences for campaigns across screens, as the advertising world moves away from Flash-based ads.

The video creation and delivery industry is in a state of flux as it moves from Flash to HTML5, as many popular browsers no longer allow Flash video ads to play automatically, and publishers attempt to preserve their interactive video revenue. But brands recognize the need for the continuation of interactive video formats beyond the death of Flash, as exemplified by the nearly $10 billion expected to be spent on digital video ads this year. Until now, most authoring tools for interactive video have been heavily templated, limiting creative flexibility. An open authoring capability, available with a tool such as Ad Builder, allows creatives to fashion any experience they need using responsive design principles.

“As video audiences shift from desktop to mobile devices, the technology for designing and delivering advertisements shifts from Flash to HTML5,” said Jeroen Wijering, head of product at JW Player.  “We believe the key to continuing the great potential of digital video is to engage the rapid adoption of HTML5 VPAID, and the increased availability of tools to create engaging HTML5-based interactive video.”

Sizmek’s HTML5 VPAID is the latest in a series of new offerings designed to provide customers the ability to develop rich media campaigns driven by programmatic data. With the authoring tool, trading desk and video ad networks can preserve their Flash VPAID revenue, and can work their way up the HTML5 learning curve in a way that retains the integrity of responsible design principles. Now creative shops can build engaging video ad experiences specifically for smaller screens versus simply recycling TV ads.

« Flash-free video is a necessity on the Web today – for high performance and for platform reach – especially as Flash is being removed from popular browsers. Interactive ads that use Flash VPAID are the last piece of the puzzle, » said Andrew Broadstone, director of product management at Brightcove. « We’re supportive of and excited about the initiative that Sizmek is taking to enable advertisers and agencies to create engaging HTML5-based interactive video ads by migrating to JavaScript VPAID. »

“Interactive video has been left in this weird life-support, nether-state where it is still being built in Flash but the entire display world has already begun to move to HTML5 formats,” said Jaime Singson, director of product marketing for Sizmek. “We are excited that our new offering gives our customers exactly the tools they need not only to keep up with the shifts in our industry, but also to gain an advantage in creating impactful, engaging interactive video campaigns.”

About Sizmek

Sizmek is the Open Ad Management company that brings freedom of choice and contextual relevance to omnichannel  digital advertising. As the largest independent ad server, more than 42,000 next generation advertisers, agencies, publishers, and trading desks rely on Sizmek’s offerings and flexible third-party platform integrations to provide the industry’s most customizable, best-in-class approach to creating seamless workflow across a wide variety of partners in the digital advertising ecosystem. With a single point of access to the best technology, data, and strategic guidance, Sizmek builds flexible solutions for marketers and publishers that combine programmatic efficiency with creative. Sizmek operates in more than 70 countries, with local offices providing award-winning service throughout North America, EMEA, LATAM, and APAC.

Contact:
Travis DeLingua
[email protected]

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Google Warns Advertisers Of Deadline To HTML5 For Video Ads

The company published two deadlines that will affect advertisers using the services. Starting April 3, 2017, advertisers will no longer have the option to upload new Flash video ads into
DoubleClick Studio, DoubleClick Campaign Manager, DoubleClick Bid Manager, DoubleClick for Publishers or AdWords.

The other deadline is July 3, 2017 — when Google will stop allowing Flash
video ads to run through the DoubleClick Campaign Manager, DoubleClick Bid Manager, DoubleClickAd Exchange, DoubleClick for Publishers or AdWords.

Google also warns that Active View and
Verification tools for video will no longer work with Flash.

Earlier this year, Google said it would stop running display ads in the Adobe Flash format on the Google Display Network
or through DoubleClick in favor of HTML5.

As of July 2016, advertisers can no longer upload new display ads in the Adobe Flash format. They will need to stop running all ads in the Flash
format on the Google Display Network and through DoubleClick in January 2017.

Google will replace Adobe Flash with support for HTML5 video across DoubleClick and AdWords. The support includes
tools to ensure advertisers and publishers can easily migrate all video ads to HTML5.

Google isn’t the only tech company dropping support for Adobe Flash in favor of HTML5. Others include
Microsoft, Yahoo and Facebook.

How Businesses Can Take Advantage of the Power of Video Marketing

Danny Wong is the co-founder of Blank Label, an award-winning luxury menswear company. He also leads marketing for Conversio, an all-in-one ecommerce marketing dashboard, and Tenfold, a modern phone intelligence platform. To connect, tweet him @dannywong1190 or message him on LinkedIn. For more of his clips, visit his portfolio.

VIDEO – Pour Jimmy Kimmel, les parents font (encore) croire à leurs enfants qu’ils ont mangé tous les bonbons d …

Certains trouveront ça cruel, d’autres très drôle. La fameuse séquence du « J’ai mangé tous les bonbons d’Halloween » était de retour dans le Jimmy Kimmel Live ce mardi 1er novembre 2016 sur ABC.

Le principe : annoncer à sa progéniture que maman et papa ont mangé tous les bonbons récoltés pour Halloween, et filmer sa réaction. Alors que la plupart des bambins optent pour les larmes, d’autres se montrent carrément violents. Il y a aussi les enfants parfaits qui prennent la mauvaise nouvelle avec philosophie et assurent à leurs parents qu’ils les aiment quand même, et les plus malins qui flairent la supercherie. Et le votre, comment réagirait-il ?

Une séquence désormais incontournable qui fête son 6eme anniversaire, et que Télé 7 Jours vous propose de découvrir.

Camille Sanson

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VIDEO – Le fou rire de Matt Damon face à Jimmy Kimmel

Un grave accident sur l’A20 Ouest à Lévis fait 5 blessés

La Sûreté du Québec (SQ) signalait peu avant 9 h que l’accident avait fait cinq blessés, dont une femme qui n’avait toujours pas été dégagée du véhicule qui la transportait. Elle souffrirait de graves blessures.

L’accident s’est produit vers 7 h dans le secteur Saint-Romuald. Un camion lourd figure parmi les véhicules impliqués.

Les circonstances des collisions n’ont pas encore été établies. Un expert en reconstitution d’accidents de la SQ s’apprête à se rendre sur les lieux.

Plus de 239 morts dans deux naufrages au large de la Libye

Dans un premier cas, l’embarcation de fortune sur laquelle se trouvaient environ 140 migrants a fait naufrage et seules 29 personnes ont pu être sauvées par les secouristes qui ont trouvé 12 cadavres à bord de ce canot pneumatique à moitié dégonflé, a précisé Carlotta Sami.

Les gardes-côtes italiens avaient fait état mercredi de ce naufrage, mais sans être en mesure de préciser le nombre de disparus.

Un second naufrage pourrait également avoir eu lieu mercredi au large de la Libye, avec quelque 125 disparus, selon le récit de deux rescapées, recueilli par le HCR. Ce naufrage n’a toutefois pas été confirmé par les garde-côtes italiens, qui coordonnent les opérations de secours. Interrogés par l’AFP, ils ont affirmé ignorer tout d’une opération de secours ayant permis le sauvetage de deux femmes. Une seule opération a eu lieu mercredi, celle ayant permis de sauver 29 personnes, ont-ils affirmé.

Au moins deux opérations de secours impliquant près de 180 migrants étaient en cours jeudi en Méditerranée, selon un photographe de l’AFP à bord d’un navire affrêté par le Moas, une organisation maltaise d’aide aux migrants.

Plus de 4000 migrants, hommes, femmes et enfants, ont trouvé la mort en Méditerranée cette année, selon les organisations internationales.

Making Email More Fun: Twenty Two Percent of Marketers Using Embedded Video

EmailThe data on digital video has proven at least one thing: consumers dig it. Still the fastest growing ad format, video is definitely more popular than many other formats.

Now email marketers are getting in on the act. According to the 2016 Email Marketing Insights Study, 22.5 percent of marketing professionals plan to use video this year.

Liveclicker, a company that offers video commerce solutions for retailers as well as email services, has more information. The firm analyzed 2,500 campaigns sent by its clients in the year leading up to June, 2016.

What did Livelicker discover? For starters, that the most common way for email marketers to include video in email messages was by sending animated GIFs.

“Forty six percent of the campaigns studied used silent animations to embed video content,” reports eMarketer. “But almost as many offered full-screen video (44 percent), including 33 percent of campaigns that required two clicks for playback. Only 11 percent had full-screen video with playback available after just one click. And only 8 percent placed the video inline in the email.”

A poll from Email on Acid showed that nearly a quarter of U.S. marketing practitioners said they planned to add HTML 5 video to their email campaigns. One boon to help the trend is this: Apple’s recent iOS 10 release supports video in email.

Email marketing may be the oldest form of digital advertising, but it continues to offer strong ROI and still enjoys favor among many U.S. consumers.

“Email is about as old-school as digital marketing gets,” notes eMarketer, but (still enjoys) high acquisition and retention rates, particularly for small- and medium-sized business. About four-fifths of these professionals said email marketing helps contribute to this outcome over other tactics from organic search to social media.”

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