Archives de catégorie : Video Marketing

Pixalate Rolls Out Seller Trust Index for Benchmarking Video Advertising

technology-792180_960_720MAW provided an exclusive first look earlier this week at the release of a new Video Seller Trust Index (VSTI) from Pixalate, a leader in fraud protection and data intelligence.

According to the report in question, Pixalate is set to provide a cross-platform rating system for video advertising, spanning programmatic TV, mobile, and desktop video.

Expanding on its Global Seller Trust Index (GSTI) and in-app Mobile Seller Trust Index (MSTI), the rating standard for programmatic advertising, Pixalate’s new VSTI is a revolutionary index that tracks the movement of video advertising spend from traditional direct channels to programmatic sellers, allowing advertisers for the first time to plan their campaign spend on platforms optimized for both inventory quality and cross-screen audience reach.

According to eMarketer, 2016 video ad spending will likely grow to $10.3 billion. Its take of total digital spending is on track to increase to more than14 percent, MAW notes.

While connected TV/OTT video traffic is increasing, so is ad fraud, which follows the money and viewers. Pixalate’s data suggested that 44 percent of connected TV/OTT device traffic is invalid.

Combining invalid traffic metrics with traditional video metrics such as audience reach and gross rating points (GRP) across all video mediums will allow Pixalate’s VSTI to offer a singular view of seller reputation and establishes a new currency for digital video advertising.

“Video advertising, particularly programmatic TV, is rapidly becoming the next big frontier for fraudsters to exploit,” said Jalal Nasir, the founder and CEO of Pixalate. “Our groundbreaking new Video Seller Trust Index addresses this industry problem by identifying the safest platforms for advertisers to work with through quality scores that go beyond the one dimensional reach metric.”

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ViralGains Deepens Executive Team To Transform Video Advertising

Kiladis, a highly regarded entrepreneurial business innovator, creator and digital strategist, is known for his visionary clarity on the future of people and their interaction with technology and digital experiences. He has driven significant product innovations in adtech, data, apps, digital video, mobile devices, mobile games and more for companies like Fiksu and PCH.

One of his most notable successes was building leading FreeMyApps, one of the world’s largest app discovery engagement networks, driving over $75 million in business.  He most recently held a leadership position at PCH Media Entertainment where he focused on strategic mobile app, OTT Video Service and ad-tech platforms.  He also serves as an advisor to Aquto, a leader in making the mobile internet accessible to everyone and Roostr (recently acquired by Chartboost), a social ad-tech platform that links consumers to mobile game co. and brands through social influencers.

« From the Super Bowl to the holidays, digital video has proven to be the best storytelling medium ever invented.  With the explosion in video advertising on connected devices of all sorts, brands and agencies are driving significant engagement on the part of consumers using the emotional storytelling power of video, » said ViralGains CEO Tod Loofbourrow. « Both Julie and Glenn bring the right kind of leadership and expertise to help ViralGains extend our product and market leadership and explosive growth. »

One of Boston’s most respected new technology firms—and past winner of the region’s prestigious MassChallenge Platinum prize—ViralGains serves the biggest brands in the world with its engagement-driven video platform that excites consumers with relevant brand stories.  The platform turns every story into a conversation, and connects qualified prospects with deeply engaging branded content to move them on a journey with a brand that informs them and motivates them to buy.

« In the age of personalization, video technology is getting a big second look, » said Ginches.  « Video has long been the preferred medium for brand-based storytelling. But until now, it’s been difficult to use in a personalized way throughout the entire customer journey.  By providing a platform that helps brands understand what is working down to individual interactions, we are helping to evolve an ancient art—storytelling—for the modern era. »

« The demand for video-based engagement solutions has grown, and product innovation will serve as a key differentiator, » said Kiladis. « The consumer journey with video will continue to be the focus for ViralGains as we find even greater ways to bring value to agencies and brands that use our platform to achieve true strategic KPIs. »   

About ViralGains

ViralGains is a software company that creates authentic connections between brands and consumers through the power of online video. ViralGains is the only platform, that maximizes online video views, shares, and conversation in real time while measuring and optimizing viewer sentiment. ViralGains’ collaborative technology was designed to help marketers and agencies of all sizes engage viewers in relevant, choice-based digital environments making it the only truly consumer-centered video distribution platform. ViralGains was founded in 2012 and is headquartered in Boston’s beautiful Innovation District, with regional offices in New York, Chicago, Detroit and Los Angeles. For more information, please contact us at www.viralgains.com.

 

To view the original version on PR Newswire, visit:http://www.prnewswire.com/news-releases/viralgains-deepens-executive-team-to-transform-video-advertising-300374956.html

SOURCE ViralGains

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http://www.viralgains.com

Martine Ouellet songe à diriger le Bloc québécois

QUÉBEC – Après deux tentatives infructueuses d’accéder à la chefferie du Parti québécois, la députée de Vachon, Martine Ouellet, songe sérieusement à briguer la direction du Bloc québécois à Ottawa.

«Je suis en réflexion», a confirmé la principale intéressée, jeudi matin, à son arrivée au caucus de l’aile parlementaire péquiste à l’Assemblée nationale.

«Je pense que c’est important de renforcer le Bloc québécois, c’est pour ça que je suis en réflexion», a-t-elle ajouté.

La députée de Vachon se donne la période des Fêtes pour prendre une décision. Quelques rencontres figurent déjà à son agenda afin d’alimenter sa réflexion.

Le chef actuel du Bloc québécois, Rhéal Fortin, a annoncé mercredi qu’il ne serait pas sur les rangs lors de la course à la direction de son parti à venir en 2017.

Encouragée par Lisée

Informé de la nouvelle jeudi matin, comme tout le monde, le chef du Parti québécois, Jean-François Lisée, n’a pas cherché à retenir Mme Ouellet au sein du caucus péquiste. Questionné à ce sujet par les journalistes, M. Lisée l’a pratiquement encouragé à se lancer.

«Je pense qu’elle serait une excellente candidate, a dit le chef du Parti québécois. Je pense qu’elle serait une bonne cheffe. Je pense que sa candidature serait une bonne candidature.»
M. Lisée a raconté que Mme Ouellet avait abordé le sujet avec lui après la dernière course à la chefferie. Elle avait alors manifesté le souhait de demeurer au Parti québécois.

«Ce n’était pas du tout sur mon radar, a assuré Mme Ouellet, mais plusieurs personnes ont sollicité ma candidature, des personnes que je respecte.»
Parmi eux, on retrouve notamment la comédienne et ex-candidate péquiste et bloquiste, Sophie Stanké.

Une autre partielle

Invité à réagir, le chef de la Coalition avenir Québec, François Legault, a quasiment encouragé Mme Ouellet à se lancer en politique fédérale, ce qui signifierait le déclenchement d’une quatorzième élection partielle depuis 2014.

C’est que les résultats aux dernières élections générales, dans la circonscription de Vachon, étaient très serrés. Mme Ouellet avait été réélue avec une majorité de seulement 176 votes d’avance sur le candidat libéral. La CAQ avait terminé non loin derrière, en troisième position.

«On aime ça les partielles, on sera prêts, a dit M. Legault. C’est dans le 450 : ce sont des comtés visés par la CAQ et on espère que ça serait la seule partielle, donc on pourrait concentrer nos efforts dans une partielle, plutôt que dans quatre.»

«Je pense que c’est probablement parce qu’elle est très malheureuse au sein de l’équipe dans laquelle elle est présentement», a commenté de son côté la ministre Christine St-Pierre, à la sortie du caucus libéral.

Pour ce qui est de la course à la chefferie du Bloc québécois tant que tel, «écoutez, c’est un peu une farce, a dit M. Legault. Il y a des courses au PQ et au Bloc à peu près à tous les six mois.»

Séisme de magnitude 7,8 aux îles Salomon, pas de blessés

Consultez le site de l’USGS

«Certaines maisons ont été endommagées mais personne n’a été blessé», a déclaré Donald Tehimae, un porte-parole de la station de police de Kirakira, ville de l’une des îles, la plus proche de l’épicentre, précisant que la plupart des dommages étaient superficiels.

L’électricité a été coupée dans certaines zones et certaines maisons aux toits de chaume se sont effondrées, a-t-il précisé.

L’hypocentre du séisme, qui a eu lieu à 04h38 locales vendredi a lui été enregistré à une dizaine de kilomètres au large d’une île du sud des Salomon, dont la capitale est Kirakira, à 41 km de profondeur, selon les données actualisées de l’institut d’études géologiques américain (USGS).

Dans un premier temps, le Centre d’alerte aux tsunami du Pacifique avait craint un «important» tsunami, estimant que des vagues de un à trois mètres pourraient atteindre la côte par endroits sur les îles Salomon, voire atteindre d’autres pays de la région. Mais trois heures plus tard le centre d’alerte a revu à la baisse le niveau d’alerte.

En 2013, l’archipel des Salomon, qui compte une douzaine d’îles et près de 500 000 habitants, a été touché par un tsunami après un séisme de magnitude 8, faisant au moins 10 morts et des milliers de sans abris.

L’ancien astronaute John Glenn est décédé

Le tout avec des problèmes de télémétrie qui faisaient craindre un problème avec le bouclier thermique de la capsule, qui doit l’empêcher de se consumer dans l’atmosphère lors du retour sur Terre.

«Quand John Glenn a décollé de Cap Canaveral dans une fusée Atlas en 1962 il a fait décoller les espoirs d’une nation. Et quand sa capsule Friendship 7 a amerri quelques heures après, le premier Américain à orbiter la Terre nous a rappelé qu’avec du courage et un esprit de découverte il n’y a pas de limite à l’altitude que nous pouvons atteindre ensemble», a rendu hommage Barack Obama, qui lui avait remis en 2012 de la médaille présidentielle de la Liberté, plus haute récompense civile aux États-Unis. 

9000 heures de vol 

«Avec le décès de John, notre pays a perdu une légende et Michelle et moi-même avons perdu un ami», a repris le président américaine. «Le dernier des astronautes pionniers américains nous a quittés, mais propulsés par leur exemple, nous savons que notre avenir ici sur la Terre nous oblige à continuer à atteindre les cieux».

Après son premier vol de 1962, l’astronaute à la mâchoire carrée et aux yeux bleus perçants a ensuite dû attendre 36 ans pour regoûter aux joies de l’espace, lors d’une mission de neuf jours à l’automne 1998 à bord de la navette Discovery au cours de laquelle il a étudié les effets du vieillissement en apesanteur. Il était alors âgé de 77 ans et reste à ce jour le plus vieil astronaute dans l’espace.

Né en 1921 dans l’Ohio, John Glenn est devenu pilote de chasse durant la Seconde guerre mondiale, à partir de 1943, et a participé à 59 missions dans le Pacifique. Il a également effectué 69 missions durant la Guerre de Corée, abattant trois MiGs adverses dans les derniers jours du conflit.

En 1957, il a réalisé le premier vol supersonique sans escale entre Los Angeles et New York, battant le record de vitesse pour traverser le continent.

Cumulant au total 9000 heures de vol, dont 3000 sur des avions à réaction, il a accédé au statut de héros national en devenant le premier Américain à orbiter autour de la Terre.

Jouissant d’une belle popularité, il s’est ensuite lancé en politique et a été élu sénateur de l’Ohio en 1974, un poste qu’il a conservé jusqu’en 1999.

John Glenn était hospitalisé depuis quelques jours. Sa santé avait décliné ces dernières années après une opération en 2014 liée à une valve cardiaque puis un accident vasculaire cérébral.

«Aujourd’hui nous avons perdu un grand pionnier de l’air et de l’espace avec John Glenn. C’était un héros qui a inspiré des générations de futurs explorateurs», a réagi sur Twitter le président élu Donald Trump.

7 Steps to Use Snapchat to Connect With Millennial Buyers

By now, it’s safe to say that everyone is up to speed on how to use Facebook and Twitter for customer marketing, especially to a newer generation of car buyers. But the question remains: What about Snapchat? The room usually goes quiet. “Snap what?” is often the response.

The reality is that if you aren’t embracing Snapchat, you’re missing the perfect opportunity to capture the attention of your millennial customers. Let’s start with the basics: Snapchat is the hottest, most popular social media mobile app, capturing the daily attention of millions of 18- to 34-year-olds.

It’s a social app designed to share raw, embellished photos, videos, and messages with others, called “Snaps,” usually designed to be expressive of our lives in the moment. Snapchat has 100 million users each day, averaging 25 to 30 minutes or more, who share more than 400 million Snaps, videos, and messages.

What makes this social media platform different from others is that everything is temporary. A Snapchat picture or video is only available for a preset time limit, ranging from one to 10 seconds from when the user opens it. With the addition of Snapchat Stories, however, stored items are now available for up to 24 hours. The limited lifespan makes Snapchat a great tool to deliver a call to action that creates excitement among potential customers, as well as a sense of urgency.

How can you use Snapchat to help sell cars and attract customers? Here are seven ways you can leverage it to promote your dealership.

1. Reward customers with mobile coupons

Because Snapchat use is pervasive among the millennial target market, it allows you to deliver offers and coupons in a matter of seconds. Coupon Snaps will reward your customers and incentivize them to come back for more.

Consider offering 10% to 20% discounts on oil changes, or promote a gift card for a test drive. With a coupon campaign, you can build a user list, which can assist in sending future promotional material.

2. Gain new followers with a giveaway

While coupons cultivate customer retention, giveaways connect you with new customers and generate leads. Promoting giveaways helps build a follower base that receives future promotions and coupon codes.

Leverage followers from your other social media platforms, including your website, to add your dealership on Snapchat, and encourage their friends to add you as well. You can also track new users with a hashtag to advertise your brand and products.

3. Showcase the new-buyer experience

With Snapchat, you can use the Stories feature to send out of a combination of images and five-second videos to tell a story. Have fun with your customers, and urge them to send out Snaps, both video and photos, of their new vehicle purchase. Encourage your customers to express their excitement at the time they received their keys.

At the end of your story, send followers to your website or YouTube channel to see additional “behind-the-scene” experiences or new vehicles available for sale. This is a great opportunity to promote your new and used/certified inventory on the spot.

4. Preview your inventory

Create sneak peeks using Snapchat to build customer loyalty and buzz around new inventory, year-end closeouts, previews of next year models, or highlight service specials. Your Snaps could include special offers to create a sense of urgency.

5. Inform customers of holiday sales events

Snap a holiday greeting or invitation to a special dealership event, whether it’s a customer loyalty mixer, Labor Day BBQ, or new owner event. Snaps can help to promote your brand and inventory to customers before they decide to shop.

Don’t wait for major holidays. Get creative; every month has unusual holidays like Popcorn Lover’s Day or Uncle Sam Day. Mix it up and embrace the opportunities to engage your customers in a fun and interesting manner. Millennials are responsive to thinking outside the norm.

6. Design geofilters

Snapchat offers on-demand geofilters that make it easy for users to promote and share experiences with their friends. For as little as $5 a day, you can create a custom stamp, image, and other artwork that can be added to Snaps as they are shared. Think of it as a branded overlay.

Creating a geofilter is easy:

  • Submit your image: Create a fun and engaging design, then log into your account, upload the pictures, and make sure the design meets Snapchat’s technical and creative guidelines.
  • Pick your dates: Choose the date or dates you want the geofilter to be available. Your daily price will depend on length of time and location selection.
  • Select your location: Create a geofence around your dealership or area that you want to target, and make your geofilter available.
  • Pay and play: You’ll need to fund your Snapchat account to cover the daily ad rate. Within 24 hours of submitting your artwork, Snapchat will notify you that you’re approved, so your target marketing can begin.
  • Go live: When your geofilter goes live, you’ll receive an email notification when the campaign is up and running, or has expired.

7. Create Snapchat performance metrics

As with any marketing initiative, you’ll want to measure your results that yield conversions. Here are three essential metrics to you get started:

  • Total unique views: This shows how many people opened the first frame of your Snapchat story for at least one second.
  • Total Story completions: A Snapchat Story can be up to 100 Snaps long. Measure the total number of Story completions and determine the number of people who have viewed the Story up to the last Snap.
  • Screenshots: Snapchat does not have like, share, or comment buttons, but users who took screenshots of your Snaps can be measured. Record the number of snapshots your followers take to determine the results.

Measuring Snapchat analytics has reporting limitations. Through performance metrics, however, you can become more familiar with your audience, and adjust to its interests as required.

Snapchat is the social media platform for millennials. The adoption of Snap videos grew more than 300% in 2015, so why wouldn’t you consider it as part of your marketing efforts?

Using Snapchat is not hard, nor is it time-consuming. That’s part of the appeal. Snaps are “in the moment,” they enable individuals to shares their lives, and, perhaps most significantly, they create a buzz.

Jim Cunningham is senior vice president of marketing solutions for National Credit Center (NCC). As a seasoned automotive veteran, Jim has extensive experience overseeing digital and predictive analytic marketing solutions that enable dealerships to market to and acquire new customers through innovative marketing tools.

Orange Label Recognized for Creativity in Marketing and Communications

NEWPORT BEACH, Calif.–(BUSINESS WIRE)–Orange
Label
received a Gold Award for its Kahoots Feed and Pet radio
commercials at the 2016 MarCom Awards. Held by the Association of
Marketing and Communication Professionals, which is comprised of experts
who specialize in the creation of print, visual and audio marketing
materials, the MarCom Awards offer distinctions in Print Media,
Strategic Communications, Digital Media and Audio/Video.

Each year, judges from the Association of Marketing and Communication
Professionals review approximately 6,000 entries, scoring them on
quality, creativity and resourcefulness. Recognizing work from around
the world, the MarCom Awards welcome a breadth of submissions from
corporate marketing and communications departments, advertising
agencies, PR firms and beyond.

In keeping with Honesty, Quality and Knowledge, just a few of Kahoots’
core values, Orange Label’s radio campaign focused on providing an
authentic look at the brand with customer testimonials. Each radio
commercial in the series communicates the value of Kahoots products and
their staff of fun and friendly Kahooligans from the unscripted
perspective of real customers.

“Orange Label started working with Kahoots in 2014 and since then,
Kahoots has experienced growth in sales and market share. Part of the
success formula involves producing creative messaging that embodies
Kahoots’ brand and core values, which emotionally resonates with
customers. Receiving this award is validation of Kahoots’ strategy to
continue generating relatable, authentic and impactful messaging,” said
Account Executive Janell Rowland.

To learn more about Orange Label’s capabilities and samples of work,
visit www.orangelabeladvertising.com.

ABOUT KAHOOTS FEED AND PET

Founded in 1987, Kahoots Feed and Pet now operates 15 pet stores and 6
feed and pet stores across Southern California. Offering high quality
Kahoots brand products alongside beloved national brands, Kahoots Feed
and Pet is a one-stop shop for pet and animal care. From dogs and cats
to horses and chickens, Kahoots Feed and Pet offers the highest quality
products at everyday low prices for a variety of pets and animals. For
more information about Kahoots Feed and Pet, visit kahootsfeedandpet.com.

ABOUT ORANGE LABEL

As a full-service strategic marketing agency, Orange Label provides
support for all clients by focusing on brand, strategy, design, and
media. Founded in 1972, the agency currently represents clients from
across the United States, in a broad range of specialties, including
B2B, Healthcare, Education and Retail. Key current clients include
Chapman University, Greenwell Farms and Kahoots Feed and Pet Stores. The
agency principals are Wes Phillips, Rochelle Reiter and Debbie Nagel.
Key Orange Label differentiators include its ‘Orange Exploration™’
fact-finding approach, powerful ‘View from the Field™’ research
technique and ‘The Juice,’ a different-and-better client branding
method. For more information about Orange Label, visit www.orangelabeladvertising.com.

How to Maximize Your Video Marketing

According to YouTube, 13 million hours of video were uploaded in 2010, 48 hours of video are uploaded every minute, and 3 billion videos are viewed everyday. Looking at comScore’s August U.S. Online Video Rankings, U.S. consumers alone drove a record 6.9 billion views across a variety of online video platforms. And most recently, the Pew Research Center found that 71% of Americans using the internet regularly visit video sharing sites such as YouTube or Vimeo, up from 66% in 2010.

Needless to say, if video content is absent from your marketing program, you’re sorely missing out on a massive audience. One of the essential success factors for video is it’s sharability. Much like photos, videos enjoy the “one click, and enjoy” factor that their still image counterparts soak up on Facebook. And it’s not all just fun and games (although funny videos do have a higher chance of virality), as online video encompasses much more than just the standard YouTube clip.

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Got a newsletter signup? Instead of that static “Thanks” page, why not include a message from your company president? Got a product that really needs to be seen and demonstrated to be fully appreciated? Sounds like a video opportunity waiting to happen. Got a company related event coming up? Live streaming could be a huge traffic pull. All of these are prime examples of what video can do beyond YouTube.

The Drawing Room

But before we go into crafting that perfect video, let’s take a minute to decide exactly what type of video you’d like to produce. The way I see it, there are really three main areas that can be addressed:

  • Entertainment
  • Information
  • How-to

Yes, there are many, many sub categories to these main three, but let’s keep our eye on the prize and stick with as many general groupings as possible.

Entertainment

Possibly the trickiest of the bunch to master, but when it’s done right…oh baby! Whether you’re B2B or B2C, at the end of the day you’re selling to people, and people like to be entertained. Look no further than the runaway success of the Old Spice Man to reveal the true power of video in your marketing strategy.

Think that entertainment videos are just for big brands with big brand sized budgets? I point you to Will it Blend for all the proof you need. In 5 years, the Orem, Utah based Blendtec, have garnered over 180 million views of these series, and won countless awards. A little creativity and some careful edits can propel your product to an entirely different level if executed properly.

Information

Love ‘em or hate ‘em, TMZ.com is arguably the go-to online destination for all celebrity related errr..news(?). There’s plenty of written content on the site, but if you have a glance at the right hand column, you’ll notice nothing but video waiting to be clicked.

Because of the immediacy of video, it’s a great vehicle to drive information. If your organization has some hot news to deliver, or breaking product information, instead of only using the standard outlet channels, try getting your CEO in front of a camera for a few minutes to deliver the message. It’s a heckuva lot faster for a blogger, PR pro, journalist, etc. to copy/paste your video message than sort through the fluff and distill the essential information.

How-To

The easiest of the bunch, but not to be treated lightly. As noted above, there are a number of sub categories present here, perhaps most notably under the How-To umbrella. How-To videos can cut down on your customer service department’s headaches, as well as show your customers how to get the very best out of their purchased product.

Do you have customers that have done amazing things with your product? Sure, they could (and should) write about it, but how about collaborating with said customer, and produce a video about how and what they did with your product? If it’s a hit with consumers, clear your calendar, as I foresee a fantastic series of How-To videos coming your way.

The Production Studio

Right. Now that you’ve nailed down how best to serve your community, as well as draw in future potential customers, it’s time to get down to brass tacks and make the best damn video this market has ever seen. But how?

Quality counts

Before any scripts are drafted, any voiceovers thought of, or any big marketing plans start evolving, let’s get one thing straight: Quality Counts. Think about the last awesome video you saw. Chances are there was a professional crew (or at least one superawesomevideodude) that executed this video. If you’ve got the budget, don’t reinvent the wheel, and let experts do what experts do. Now that doesn’t mean that you’ll need a film crew equipped with a few RED Cameras to shoot your video. Both Nikon and Canon are quite proud of their capabilities, and astounding results can be achieved from a number of consumer budget friendly cameras.

If you can’t bring in a professional to shoot and edit your video, here are a few basic tips that can help your creation stand out:

    • Lighting – often under appreciated, good lighting can go a long way. If you’re putting your product out there, make sure it can be seen. Conversely, make sure that you’re not over lighting a situation and causing the screen to blow out. If you’re shooting a presenter, a 3 light setup is key to success.
    • Editing – Watching a skilled editor at work is akin to watching a ballet. By playing with music, timing, and emotion, a good editor can either incite your viewers to do something right now, or sit back, relax, and engage in some deep thought.
  • Dress – the next time the evening news is on, watch the mode of dress carefully. You will never see a news presenter with a striped shirt on. The reason? Without getting too far into technicalities, you’re watching a moiré pattern in action. For optimal video results, presenters should dress in plain, simple colors. Bonus: Avoid sky blue and light green colors, as these are often two key colors that are used for chromakey (green screen) effects.

Deliver for Relevancy

This factor is closely tied to your Drawing Room plans, and will dictate the direction of your production. The key to delivering a successful video is presenting your viewers with valuable or entertaining content, preferably both. What’s the key message you’re trying to get across? How can it be presented in a manner that your grandmother would appreciate?

If you’re a widget maker from Cleveland, OH and have just completed your survey on how your widgets increased factor floor production time by 40%, your standard outlay would be to distribute via your website, publish to major press outlets, etc., but with video you now have an entirely new canvas to work with. Sitting in front of a camera and reading a whitepaper sounds about as exciting as watching the grass grow, but seeing a few infographics, some footage of the factory floor, your widgets in action, and a short, one or two-line sound bites from factor staff employees…ok, now you have my attention. Toss in some awesome music and a call to action (see below), and now you’re really on to something.

Make ‘em act

Just because your video is entertaining doesn’t mean that it has to be all laughs. While your video might not be editable after it’s published (unless of course you’re prepared to lose view counts), the text surrounding the video is.

Since we’re talking marketing department video here, what would an output be without a call to action? Be sure to use a trackable link (I 3 you bit.ly) and send consumers over to a customized landing page tied directly to this video. Based on your video this landing page can be anything from a special promo code that offers 50% of consumers next purchase, a request for more information, have a salesperson get in touch, etc.

Share it

Sure, YouTube and Vimeo are the big players on the block, but what about all those other video sites? Just because they don’t have the name recognition that these two do, that doesn’t mean that they don’t have an audience (and potential customers).

Just as with all your messaging, you’ll need to take care as to which platforms you send your video creations to as an information video would probably not suit Funny or Die (or if it does, you might have an award winner in your hands).

While there are a few floating around, when it comes to mass video distribution, it would be quite hard to beat TubeMogul. Their OneLoad service offers free accounts for personal usage, and businesses can step up their game for only $75. TubeMogul offers one-click, multi-site publishing, and their analytics and reporting features are sure to keep marketing professionals and their bosses happy.

Don’t forget the search!

Yes, yes, SEO. I see weren’t not quite done with this relationship yet, are we? If you’re optimizing 99.44% of your content to be discovered, don’t do a half @$$ed job with your video descriptions.

Remember, you might have James Cameron onboard, but if your descriptions, title, and tags aren’t lining up with terms your customers are searching, the chances of having your production found is next to none.

Also ensure that your settings on each individual video sharing platform are optimized to be found. If your video could be cause for discussion, make sure that comments are turned on. Google loves to see an active discussion. Likewise, don’t be afraid to ask your views to rate the video. This will not only help you in rankings, but also determine the success rate of your production.

Keep it short

Before a light is even lit, a camera turned on, or action ever called, break out the editing pencil. Think about the last video you watched and enjoyed. While the optimal figures go back and forth at a constant rate, my guess is that it was no longer that approximately 2 minutes.

If you absolutely can not cut your message down to 2 minutes or less (don’t forget the intro/outro timings), consider breaking it out into chapters via multiple videos.

Sounds about right

For all the visual magic that skilled editors, or even presets can deliver, there’s no excuse for horrible audio. Do not think that the $12.99 headset you purchased at OfficeDepot is going to cut it for your video production. With an audio engineer behind it, perhaps, but if you’re going it alone, invest in a few Better Audio for Video techniques to make your production sing. Literally.

Video is a marketing tool that is simply too big to ignore. If you’re not in the game already, it’s time to get started. Sure the initial investment might cost a bit of time, experimentation, and yes, money, but with the growing and sustained consumption of video, it’s an investment in your organizations’ future. By applying the advice above, you’ll be ahead of your competitors, and ready to come out of the gate with a stellar first production that will bring results and spur team members and management into further investment in the medium.

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Pixalate Launches Video Seller Trust Index To Benchmark Video Advertising Quality

Pixalate, a provider of ad fraud protection and data insights, on Wednesday launched a cross-platform rating system for video advertising dubbed Video Seller Trust Index (VSTI). In releasing the
findings from its new (VSTI), Pixalate found that 44% of programmatic TV inventory is invalid, exposing advertisers to a high risk of ad fraud.

VSTI, which will cover desktop video
advertising, joins Pixalate’s Global Seller Trust Index (GSTI) and Mobile Seller Trust Index (MSTI), an in-app rating standard for programmatic advertising.

Then new system will track
the movement of video advertising spend from traditional direct channels to programmatic sellers, allowing advertisers to plan their campaign spend on platforms optimized for both inventory quality
and cross-screen audience reach. The VSTI  which covers October 2016 benchmarks, presently offers just U.S. data, but will expand to international market data early next year.

Pixalate
said its VSTI evaluates nearly 200 distinct per-impression metrics based on an analysis of more than 100 billion impressions to determine reputation. It determines seller quality ratings by
machine-learning to analyze and score sellers for overall effectiveness assessing fraud, as well as metrics including comparative Gross Rating Points (GRPs), reach, player size, and engagement in
compliance with recognized industry standards.

Pixalate described its new metrics in the following way:

xGRP: The xGRP formula, which has a cross-screen focus, builds on the
traditional GRP standard by capturing the potential of an ad to reach the largest possible volume of users as distributed by device and through a specific  programmatic seller, with one common
metric.

xReach: This cross-screen measurement focuses on a seller’s ability to capture an advertiser’s desired audiences across multiple video platforms as a percentage of
the total available population.

Player Size: This metric is based on the percentage of large player (480 x 320 and higher), mid-player (301 x 251 to 479 x 319), and small player (300 x
250 and smaller) video content optimized for device and screen size using industry standard sizes for each player class.

Engagement: This metric is based on user interaction with video
content as measured by user interaction and other relevant video session data.

Pixalate noted key observations from the VSTI:

–Invalid traffic rates for connected TV and over-the-top
TV (OTT) showed that 44% of all traffic coming from connected TV/OTT devices is invalid. The index found that mobile had the highest rate of invalid traffic at 37%; desktop came in at 35%, and tablet
at 32%.

For connected TV/OTT devices, Roku devices had the highest rate of invalid ad impressions (59%), followed by Sony PlayStation (38%), and the Nvidia Shield (31%). The high invalid
traffic rates for OTT wasn’t surprising to Pixalate. “While 44% is very high, as the ad dollars flow into OTT, it’s the platform that the perpetrators of ad fraud think is likely to
garner the most ad impressions,” said Tony Casson, Pixalate’s director of product strategy.

Among mobile devices, the LG Risio saw the highest ad fraud rates for mobile video at
57%, followed by the ZTE Grand X3 at 56%, and the LG G Stylo also at 56%, according to Pixalate. All three branded mobile devices are specific to Cricket Wireless which tends to target a younger,
mobile-first consumer.

–Small player video, which includes desktop and mobile and is considered to be any video player size 300 x 250 and smaller, represented 40% of all video impressions,
and its ad fraud rates exceeded 56%. Most of this inventory consisted of in-banner video traffic on desktop, according to Pixalate.

On the new VSTI, SpotX landed in the No. 1 spot with a final
score of 90, BrightRoll Exchange was No. 2 with 88, and Tremor Video was No. 3 with 87 in the top 10.

“With the VSTI, you’re seeing more of the long-standing supply-side platforms
that have been focusing on video for a while and have amassed a large network of publishers. They know that keeping the system clean is part of their responsibility,” Casson said.

Pixalate is a Media Rating Council-accredited vendor for display ad viewability.