Archives de catégorie : Video Marketing

Making the Brand: How Live Video Can Change Everything

Lori Wright, CMO of BlueJeans Network talks about unearthing the potential of live video to effectively attract and retain audiences

From the printing press, to broadcast radio and tv, through the Internet, technology has enabled platform advances that redefine and extend how brands are cultivated. And today, we are in the midst of another sea change where technology is elevating the brand experience. That shift is happening through live video.

The raw nature of live video bridges all demographics, and it makes tools like social media far more engaging and useful for brands. With live video, it becomes possible to wrap people, products or services within a unique moment in time. Whether it’s helping millions of people fall further in love with Flo from Progressive, watching the cover come off of the newest Tesla, or basking in the fierceness that is Beyonce, live video is unlike anything else when it comes to stirring emotions– and this is what instills loyalty, the loyalty social marketers have been seeking for years.

Live video also offers up the chance to conduct global rollouts or sneak peeks of products or designs to huge audiences for a fraction of the cost of typical launch events. Companies can receive immediate feedback from the people most interested and likely to buy their products, not just those invited to a 20 person focus group. Sounds pretty great, right?

So, how do you put video to work for you? Well there is no time like the present to dive into a live video campaign, especially with the holidays just around the corner. People are feeling festive, they’re looking for entertaining or gift ideas, or ways to spend any leftover budget before year-end. They also love video diversions, particularly if they demonstrate a little holiday humor. And, because live video is just beginning to take off, people are a bit more forgiving if the quality or delivery (um, uh, and and and…) isn’t perfect. It is an amazing time to dip your toes into the live video revolution, cultivating a brand that people love. Here’s how:

Ask Essential Questions

While it only requires the click of a button to broadcast live, you should give your video presence some thought. Take a minute to consider what you want to accomplish and why. How will you ensure that your public persona matches the brand your company has so carefully constructed? Harken back to the five essential questions– who, what, when, where, and why– to prevent your live video foray from becoming completely overwhelming.

To get at the heart of these questions, form a team, and bring together some creative minds who can help determine the best live manifestation of the brand. Think of it similarly to coming up with a new ad or marketing campaign– only one that doesn’t cost nearly as much! And let the essential questions be your guide to establish and maintain some degree of focus.

Understand Your Platform

Where does your audience live and breathe? We ask our customers this question all of the time so that we can help them integrate video into all aspects of their business. Despite all of the ebbs and flows that take place in the tech arena, what we consistently hear is that Facebook is still the gold standard of social media. It has kept up with its audience, comprised of all generations, through changes like mobile and messaging without losing the vitality of its community. Now it is leading the live video charge.

Facebook currently has about 1.1 billion daily active users, and videos on Facebook are viewed more than 4 billion times a day, with priority being placed on Live videos. Facebook Live is also generating 1200% more shares than images + text combined, and people comment 10x more on Facebook Live videos than regular videos. That is a lot of engagement!

If you’re company that wants to dive into video for marketing purposes, we recommend starting with Facebook first. Use the power of a live, interactive broadcast to draw people to the brand with an authentic experience. Then, if you want to extend it or tease it across other social channels, it becomes very simple to amplify your reach with snippets of the Live broadcast.

Plan Ahead

Live video broadcasts are a bit like reality shows– they often benefit from a bit of scripting so they don’t go completely off-the-rails. You’ve done the work to determine what you want to convey, how you want to convey it, and the platform you’re going to use. Now, test it out.

Chose the “Only Me” setting to prevent widespread embarrassment with your first effort, as something inevitably comes across differently in a live broadcast than it did in your mind’s eye. You’ll also get a sense of pacing– what’s dragging, what’s working well, where the natural breaking points are, and how much ground you can or should reasonably cover.

The next step is to define a custom group that can help prepare you for a public broadcast. That is a whole different animal as people can pose questions and interact in ways that you might not anticipate. With a custom group test broadcast, you practice fielding questions from relevant to the bizarre. You will also gain a better sense in this type of dry run on when to re-state who you are and what you’re doing for people who just tuned in (remember, in a live broadcast, people can join at any point, just as they can leave anytime if they are not engaged).

So, you’ve aced your custom group practice. You’re as prepped and primed as possible. It’s go time. Switch your setting to “Public” and click “Live”. Don’t be stiff and don’t be scared. People are there to see what your brand is really about– and you KNOW your brand. You got the audience there, they are engaged, so share why your product or service is so great. But listen to what they’re asking as well. It will tell you a great deal about where your brand’s strengths and weaknesses lie, and the answers may surprise you.

Iterate

You make it through your first video. And your second. You’re growing your audience. You can sense the potential. Don’t be afraid to iterate as you gain some comfort and confidence with live video. Add guests, come up with a recurring character or kick-off a weekly show, take some chances, find your voice. The beauty of live video is that it is always changing. You will have success and maybe some broadcasts that don’t go as smoothly as planned, but just with any product, you keep iterating to make it better, playing to your strengths.

* Note: As soon as you find your footing (and maybe even before), don’t forget to promote your broadcast! You can share it through the company Facebook feed, blog, Twitter, texts and emails to your friends, partners and customers, whatever works for you to get the word out! And if you’re happy with a video once it’s done, let it live on in the feed. Repost it frequently. Cite it. Don’t be afraid to refer back to it to drive traffic to your next broadcast.

While there is still a ways to go before live video broadcasts become mainstream for big brands, expect to see a lot of experimentation in the coming months. As companies get out there, there will be more polish, more commitment, more creative uses of video, and in general more fun as consumers get to know what brands value and why.

For all you marketers out there, live video represents a rare chance to show what you’re made of, a chance to attract and retain an unprecedented number of customers for extremely low cost, and a chance to make the brand. Will you take it?

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Carterville Southern Illinois SEO Digital Video Marketing Services Launched

Evolve Strategic Marketing, a digital marketing company based in Carterville, Southern Illinois, launched a range of internet marketing services including SEO, video marketing and social media campaigns. Working with certified Google AdWords experts, the company provides custom digital marketing services to local and global businesses.

Carterville Southern Illinois SEO Digital Video Marketing Services Launched

Evolve Strategic Consulting, a digital marketing company based in Carterville, Southern Illinois, launched a wide variety of digital marketing services including SEO, video marketing and social media campaigns.

More information is available at https://evolvestrategic.com.

Online marketing has grown considerably over the past decade, as more and more people use the internet for shopping and other business transactions. Surveys show that up to 90% of all clients used online reviews or Google searches in their customer choices, making search ranking an important business success factor.

With a new range of professional digital marketing services, Evolve Strategic Consulting aims to help aspiring business owners increase their Google ranking and develop their online business reputation using a mix of paid and organic marketing strategies.

Evolve Strategic Marketing offers complete SEO services, from on-page optimization to backlinking and other competitive SEO strategies. Free digital marketing consultations are available.

The Carterville company also provides video marketing services for interested businesses. Their services include spotlights, interviews, product tutorials, social media videos, promotional videos and more.

In an effort to reach the wide market opened by social media platforms, Evolve Strategic Marketing provides full social media marketing solutions. By working closely with the client, the Carterville SEO company identifies the target population groups and creates a comprehensive media campaign to both reach and secure more potential clients.

The Carterville digital marketing company works with Google Premier Partners for AdWords campaigns and currently serves AdWords professionals in a variety of niches, such as orthodontists, periodontists, chiropractors and other medical services, as well as lawyers and construction companies.

Evolve Strategic Marketing specializes in Google SEO algorithms and digital marketing. Founder and CEO Chris McMillin has earned certifications in AdWords Search, AdWords Mobile, AdWords Video, AdWords Shopping, AdWords display and Google Analytics, and partner Kelly Burke has extensive experience working with a variety of TV stations including ESPN3, CSN and CBS.

Interested parties can find more information by visiting the above-mentioned link.

For more information, please visit https://evolvestrategic.com

Contact Info:
Name: Chris McMillin
Email: chris@evolvestrategic.com
Organization: Evolve Strategic Consulting
Address: 102 E Illinois Ave, Carterville United States
Phone: +16184441475

What the ’80s teach us about modern video marketing


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Watching a video. Marketers should strive to seek audiences and not channels — the task at hand is to find out what your audiences are consuming and how they consume it. PHOTO | AFP 

In Summary

Kenya of the 1980s had only one TV station — the Voice of Kenya (currently known as Kenya Broadcasting Corporation).


Growing up then we had to wait till 5 pm for the broadcast to begin. This started with the national anthem, followed by my then favourite cartoon shows; He-Man, Master of the Universe and She-Ra, the Princess of Power.


Back in those days there was a singular video option for marketers looking to achieve significant reach through video. Millions of Kenyans would tune in to just a few shows each night, captivated by the antics of a Mama Kayai and the late Mzee Ojwang of Vitimbi.


Today, we’re seeing the opposite. The amount of video channels and devices available to viewers and marketers are in the hundreds. Options to reach people through video have become plentiful. The number of free-to-air TV channels on the digital terrestrial platform is 63.


In addition to free-to-air TV, we have pay-TV services like DSTv, GoTV, Zuku, and Startimes; video on demand services like Netflix and ShowMax and Video sharing websites like YouTube.


In other words, options are many and immensely fragmented. The problem is the captive TV audiences of the 1980s and 90s are now rare. Research shows that nearly half of Kenyans online say they pick up another device and go online while watching TV. Today’s scarce commodity is no longer reach, it is attention.


While the shows and screens have all changed since the ‘80s, many of our viewing habits have stayed the same. There’s a lot marketers can learn from the ‘80s if they’re looking to capture audience attention.


Same time, same place, different screens


So what does the ‘80s viewer have in common with today’s viewer? For one, prime time is still, well, prime.


Across both TV screens and mobile devices, the evening is the most popular time to watch YouTube. In fact, nearly two-thirds of YouTube viewers in Kenya say they access it in the evening.


We may have more devices to turn on, but there’s still no better time to tune in. What today’s viewers have in common with ‘80s viewers is that they share what they watch too. More than 86 per cent tell us they watch YouTube on a mobile device at home, usually in the bedroom or living room.


And almost half watch with other people. Sounds familiar, doesn’t it?


Marketer takeaway


We, as marketers, care about when people watch and what screen they watch on. But our consumers don’t. They just want to watch their favourite content wherever and whenever it’s right for them.


They don’t view online video and TV in silos and if we want their attention, neither should we. Instead of sequencing our buying and planning separately — first by TV, then by online video — we should look at the video opportunity bottom up and treat the entire video ecosystem as one.


In-Stream Video Advertising Benchmarks by Device: Audiences …

NEW YORK, Dec. 17, 2016 /PRNewswire/ — AccuStream Research has completed a seven-month people panel research undertaking, with members logging and rating their wide-ranging viewing experiences across publisher properties monetizing with in-stream video advertising placed against multiple non-linear channels and devices.

The diary-driven research entitled In-Stream Video Advertising Benchmarks by Device: Audiences Rate the Best to the Worst Publishers Delivering Cross-Channel, Ad-Supported Programming 2015 – 2016 assembled a panel of viewers to watch and rate their experiences when interacting with digital video programming online.
Regardless of linear broadcasting pedigree, legacy businesses or upstart internet only publisher counterparts spooling out digital video programming, there are many surprises and thought provoking insights contained in the panel’s evaluations of non-linear viewing across all device platforms (desktop, mobile/tablet, VOD/set top box).

The panel’s comprehensive research diaries have been compiled into actionable databases designed to yield a highly customized wealth of in-stream video advertising performance information, powered by first person, audience-driven data sets that include:

– Brand advertisers buying against specific publishers and devices

– Total non-linear publisher inventory allocated (i.e. number ad pods and spot lengths)

– Publishers that deliver a quality content viewing experience supported by in-stream video advertising by device/OS (rated A trough F)

– Publishers that are not delivering a quality content viewing experience supported by in-stream video advertising by device/OS (rated A through F)

– Publishers with over-sold inventory producing impression fatigue

– Publishers with under-sold inventory or limited brand advertisers that negatively impacts the viewing experience and results in both creative and impression fatigue

– Ad insertion frequencies and inventory allocated against short form content

– Ad inventory and insertion frequencies across all devices and publishers monetizing with video against long-form/episodic content

– An extensive database that can be sorted by publisher, brand advertiser, insertion frequencies, total inventory by content format, audience experience ratings by device/OS (rated A through F), by content category (news, sports, television, entertainment, kids), by publisher category (television, cable, newspaper/magazine, radio and audience platforms such as YouTube)

– How VOD channel in-stream advertising performs relative to other non-linear platforms including desktop, Android and iOS devices

– Number of publishers enabling Chromecast device-to-TV viewing

This panel research adds adtech execution clarity to the current state of in-stream video advertising performance: Where the industry is getting it right and where efforts fall short.
The data indicates a host of opportunities to improve the overall experience through more sophisticated technology deployment/upgrades, plus a greater understanding of what audiences are actually experiencing when choosing non-linear viewing channels.

This audience panel research offers insights to brand advertisers looking for the best vehicles to present their message, to adtech vendors with evolved technologies looking for sell-in opportunities, to publishers pitching their brand partners and can provide first-hand audience feedback on the advertising experience associated with their non-linear viewing channels, and investors of all stripes eager to participate in this dynamic marketplace.

The complete database is offered for a single licensing fee, with additional requests for specific sorts and data analysis plus phone-based consulting time included.

Read the full report: http://www.reportlinker.com/p03703372-summary/view-report.html

About Reportlinker
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To view the original version on PR Newswire, visit:http://www.prnewswire.com/news-releases/in-stream-video-advertising-benchmarks-by-device-audiences-rate-the-best-to-the-worst-publishers-delivering-cross-channel-ad-supported-programming-2015–2016-300380419.html


The state of online video points to more skinny bundles, plus live …

TV watching today happens online.

A report from Limelight Networks Inc.

LLNW, +5.75%

 on the state of online video surveyed more than 1,700 consumers in the U.S. and U.K. and found that 75% of respondents watch more than two hours of video content online each week. And in that, viewers prefer watching TV shows, according to the report.

Watching TV and other video content online has, as Limelight senior director Mike Milligan put it, graduated from something people experiment with, or use as a supplement, to the new norm. No longer are people waiting to watch or rushing home to catch prime-time programming.

Check out: Emerging competition is not the threat to Netflix that analysts thought it would be

“And people aren’t just using laptops anymore,” Milligan said. “Video viewing will become ubiquitous throughout the day.”

Limelight is a content service provider dealing in delivering more responsive websites and applications, faster downloads and high-quality video across devices.

Nearly 60% of people who watch video online subscribe to more than one service. And despite the shift away from traditional cable TV, the survey found those who consume the most online content are more likely to pay for a cable or pay-TV service. This speaks to Milligan’s point about video viewing being ubiquitous throughout the day.

While people are increasingly opting for mobile viewing on smartphones, the crux is, consumers want to be able to find and consume the content they want on their terms, but there’s no substitute for live programming.

Twitter rolls out live-video feature

(1:39)

Twitter rolled out a live-video feature Wednesday, underscoring the growing importance of such services to social-media companies. Photo: AFP/Getty

See also: Disney promises better days for ESPN, and Wall Street listens

According to the report, male millennials are the leading demographic when it comes to watching video online, but 20% of them would be more likely to completely cut the cord if more live sports and other programming was available to stream.

“Millennials are increasingly expecting live content to be available on any online or mobile device and are willing to pay for streaming sports programming,” Milligan wrote in his report.

Though consumers in the U.S. seem to have money on their mind when debating where to go for TV content, the survey found they are far more likely to pay for online streaming than British viewers. With the cost of cable TV continuing to be a hot topic and the debate as to whether paying for multiple streaming services is a bargain, Milligan said the industry could see more and a larger interest in skinny bundles and online cable platforms, such as Dish Network Corp.’s

DISH, -0.10%

 Sling TV and ATT Inc.’s

T, +0.41%

 new DirecTV Now.

Also read: CBS goes all in on stand-alone streaming service ‘All Access’

“The economies of people subscribing to cable and paying, let’s say $80… if that money is still available to them, but they can go and have the same experience with fewer channels and just the ones they, and it might be a little cheaper too; they’ll move online,” Milligan said.

Adobe Flash Player and HTML5 – Which Will You Prefer?

The transition made by tech giant Google to HTML5 to handle streaming video and audio may not be such a good news for Adobe. However, this move made by Google may seem to be for the best since Flash Player has become a beacon for security threats all over the Internet.

It was not long ago that Flash Player was the standard for Web browsers such as Chrome, Firefox, and Safari and several apps like YouTube and Facebook when playing video or audio. However, recent news regarding threats to security has caused concerns for many online users. Even Adobe has prompted their users to stop using Flash Player a year ago. Well, there might be some solutions made to address this situation by simply updating the Flash Player to the latest version.

Here are several key differences when it comes to using Adobe Flash Player and HTML5.

Adobe Flash Player

  • The use of Adobe Flash Player will allow uniformity throughout all browsers.
  • It has more effects in comparison to JavaScript and HTML5.
  • The platform is vector-based, intended for easy scaling.

However, there are several side effects when you use Flash. Here are a number of concerns for that matter.

  • In order to use or view Flash content, users are required to download an external plugin, which can potentially harm the computer system.
  • Most of the search engines such as Google Chrome or Mozilla Firefox may not read Flash content very well.
  • At the same time, SWFs can be huge, which can take a while to download.

HTML5

  • When it comes to CSS content, HTML5 is very fast.
  • It supports canvas and video content
  • It also provides GeoLocation API

It only has some disadvantages, which include the following:

  • HTML5 is not fully supported on most Web browsers
  • It also has limited support for animations and certain effects
  • In comparison to Flash Player, it offers slower animations.

Adobe Flash requires users to update to the latest version, while they are also being encouraged to use HTML5. Well, the idea is simple because you only have to use Flash if it enhances user experience more than HTML5 does, but you should get rid of it if it gets in your way.

POOP: Pen Oppai (Breast) Oppai Pen conceived online 【Video】

Realistically, it was only a matter of time before the Internet gave birth to POOP.

Japanese model Jun Amaki has ingeniously invented the next spinoff of the now world-famous PPAP by Japanese comedian Piko-taro using nothing but a couple of pens and her well endowed upper body. You can see the work of art here:

Some online are questioning whether Jun has mistaken the word POOP for BOOB, and have even politely informed her on Twitter what POOP actually means in English.

▼ POOP is unchi (うんち) in Japanese.

In any case, this new video is clearly the work of a genius with the original PPAP lyrics cleverly being transformed to include a highly celebrated female body part.

The 21-year-old seems to have made the most of her body shape through her modeling and even making regular TV appearances – which strangely all seem to focus on her… huge personality.

▼ Jun wowing TV audiences with her… giant sense of humor.

▼ Jun showing off her POOPs.

So far there’s been a plethora of PPAP spin-offs and there seems to be no end in sight. We’ve seen Ryuk from the Japanese anime Death Note perform PPAP and even an Indian dance group. The Japanese band WHITE JAM went so far as to create a love song out of PPAP.

And even Piko-taro himself has ventured into spin-off territory with his very own “PLLP” (Pen Lemon Lemon Pen).

Where do you think Jun Amaki’s PPAP version ranks on the charts?

Source: Twitter/@jun_amaki
Featured image: Twitter/@jun_amaki

Online Video Habits Vary By Gender, Age

More than three-quarters of consumers watch online video weekly, with a little more than half of consumers tuning in more than two hours every week.

Habits beyond that vary widely from
demographic to demographic.

Men are more avid viewers, with 58% watching more than two hours per week, compared with 44% of women who do so that often, according to a new report from Limelight Networks assessing the state of online video via a survey of
U.S. and U.K. users.

In addition, the report found that 68% of Millennials check out more than two hours of online video per week.

And about 24% of consumers don’t watch at
all.

Most viewers say their preference is to watch TV shows over other types of content. TV is followed closely by original content on YouTube, movies and then news.

Some of these
online video viewers are tuning in online because the cable bill is too high. About 41% of respondents cited price as the reason that would drive them to ditch cable or satellite, but 24% noted
they’d cut the cord if they could get the channels they want a la carte online. (In some cases, consumers can do this with services like HBO Go.)

More than 68% of U.S. consumers said
they pay for a subscription VOD service, with 34% getting more than one. This compares to less than half of U.K. consumers, with only 16% of U.K. consumers subscribing to more than one, Limelight
reports.

Le médecin qui a inventé la méthode de Heimlich est mort à l’âge de 96 ans – ICI.Radio

Le docteur Henry Heimlich s’est éteint à l’hôpital Christ, à Cincinnati. Il a été terrassé par une crise cardiaque plus tôt cette semaine, a indiqué son fils, Phil.

Le Dr Heimlich était directeur des services de chirurgie de l’hôpital juif de Cincinnati quand il a mis au point, en 1974, une méthode d’intervention auprès des personnes qui s’étouffaient.

Ce chirurgien, qui avait souvent été en conflit avec l’ordre médical établi, avait déclaré que la méthode dont il était l’inventeur avait permis d’éviter plus de 100 000 décès. Il a dit l’avoir appliquée lui-même, en mai dernier, sur une pensionnaire de la maison de retraite où il vivait. (Avec Reuters)

La manœuvre consiste à serrer l’abdomen de la victime, et à presser par coups au-dessus du nombril avec ses poings. Le mouvement permet de faire circuler l’air dans les poumons. Ainsi, l’objet empêchant la respiration peut être évacué par la trachée.

Le médecin était originaire de Wilmington, au Delaware.